In her creative endeavours, Dijana Engelmann has consistently focused her attention on the examination and interpretation of various social and interpersonal dynamics within modern society. This thematic exploration is particularly evident in her notable works such as ‘Unknown’ (2014) and ‘Forms’ (2023). Beyond societal relationships, Engelmann engages in a complex examination of the creative process itself, probing the dynamic nature inherent in artistic endeavour.

Furthermore, Engelmann engages in a nuanced exploration of the fluidity and redefinition of boundaries within the intricate relationship between the artist/author and the audience. This aspect is particularly highlighted in works such as ‘Game’ (2015) and ‘Laboratory of the Flow of Consciousness’ (2016). Through her art, she invites contemplation on the shifting nature of these boundaries, creating a thought-provoking dialogue on the intricate connections between creator and viewer.