Printmaking has been part of my practice since my student days, but in recent years it has become equally important alongside my sculptural and performative work. What draws me to printmaking is its processual nature from preparing the material and creating the drawing or imprint, to the final print, which is always unpredictable. That element of surprise, much like in working with ceramics, is what fascinates me most.
I combine classical intaglio techniques with experimental and contemporary methods, currently working with drypoint, aquatint, and thermal printing. Increasingly, I’m also exploring eco-friendly and non-toxic approaches ways of working without harsh chemicals, in harmony with the environment and my own body. For me, sustainability is both an ethical and aesthetic choice, where care for material becomes care for meaning.

Printmaking is not just a technical process but a space for quiet contemplation and physical inquiry where layers of meaning are impressed not only on paper, but into lived experience.

Selected Works